The Singing Sands

August 8 2015 — Dunhuang, Gansu Province

The cold winds shriek out of the Himalayan Plateau and warm as they howl across the western deserts. When they wail across the golden dunes of Dunhuang, the sands sing.

The ancient city of Dunhuang sits in an oasis where it once commanded a crossroads of the southern Silk Road into India and the northern Silk Road into the Hexi Corridor, or the “throat” of China – a series of further oasis towns, jammed between the Tibetian Plateau and the Gobi desert, that led into imperial China’s heartland and its former capitals. The earliest human settlements around Dunhuang date to about 2,000 BC, but by the time the Qin Emperor had first unified central China in the 3rd century BC, the area was under control of nomadic horse tribes. The Han Dynasty conquered the area in 121 BC, bringing it into the Chinese fold within which it would thrive until the Ming Dynasty abandoned the Silk Road nearly 1500 years later.

Now, Dunhuang still enjoys its status as an oasis town at a crossroads, only now it’s a tourism oasis at the crossroads of the rails and roads that head south into Tibet, west into Xinjiang and Central Asia, and east into China’s central plains. And it was the next stop on our journey to the west.

We arrived at the central train station early, and decided to walk until we found our hostel. We had two days in Dunhuang so we planned to catch the two major sights: The Singing Sands Mountain – a vast expanse of sand dunes – and the Mogao Grottoes – one of the largest, best preserved, and most important Buddhist historical sites in the world. As our next train left the next evening and we wouldn’t have time to shower ourselves free of sand, we opted to head to the sand dunes first.

First we needed to figure out how to dodge the fences and the fee.

Singing Sand Mountain is a national park and carries a hefty 150 Yuan entry fee, and I’d heard it was something of a tourist trap without much to see or do except walk into the sand. So I poked around and learned that it’s possible to circumvent the closed-off park area and get into the sands for free behind one of the adjacent hostels.

We found the hostel, eventually, after stopping to buy some neck protection and shrugging off Dave’s incessant worries about “water” and “hot” and “sand” and “tired” and “shoes”. Standing in a concrete basketball court, we prepared to walk out into the wind-whipped oblivion just as the day’s temperature peaked in the high 90s. But there was the matter of the fence.

Equipped every few dozen meters with motion detecting cameras and lined with rusty barbed wire, the fence shouts robotic warnings at anyone who begins to approach its perimeter. We saw, however, a trail of sandy footprints running adjacent to it, then disappearing over a rise, and we assumed we could get around it that way.

About five steps up the sandy slope, the fence’s siren started to blare and that female voice started to shout. Five steps more, and Matt began to yowl.

As the baking sand slipped into my tennis shoes, my feet, covered with socks, began to heat as if I were standing on a wood stove. Matt, on the other hand, didn’t have any socks, and his pseudo-sandals had plenty of holes.

I turned to see him flee down the hill as fast as I’ve ever seen him run. Back on the concrete, he hopped around chanting curses and pulling at his shoes like some demented shaman offering sacrifices to an angry god.

Dave and I weren’t far behind.

Matt’s feet were actually burned. It looked like 10 steps were as far as we were going to get. We milled around defeated – well, Dave was pleased – and started at the shimmering sands.

We stared at the sands, defeated by their heat.

We stared at the sands, defeated by their heat.

Well, we decided, the park and its entrance fee had us, after all.

The main attraction, aside from the sand and the camel rides that take you into it, is the Crescent Lake – a natural oasis-turned-man-made lagoon which wraps around a recently built “temple”. In pictures it looks beautiful and remote. In person, the lagoon is more like a mud pit, and the city is just behind a moderately sized dune.

We walked the sandy path to the lake and were thoroughly underwhelmed. That entrance price was starting to grate. Ignoring more of Dave’s grumbling about “sand” and “looking stupid” we rented a few pairs of bright orange sand gaiters, and started the climb up to the top of the dunes.

For the first time all day, we’d done something worthwhile.

From the dune’s crest, the Crescent Lake looked its part – if you could ignore the dusty city sprawling behind it – a pool of vibrant life huddling amid a lifeless, alien sandscape. Turning 180 degrees, the dunes rolled out, endless in every direction, dotted by camel trains, glittering orange and gold in the blazing sun.

For some 50 generations, traders on camels just like those around us had trundled along those sands and listened to the wind’s song as it skipped across the ridges and warmed under the desert sun. For a moment, I lost myself in the waste. Then we bounded down.

We returned to our hostel in late afternoon, showered, then went to check out the downtown of the 170,000-person town, wandering among restaurants which spilled their tables out into bustling food streets, poking our heads into the town’s main mosque, and picking through a clothing market looking for good Chinglish t-shirts.

We stopped for some lamb skewers and a beer tower, then walked along the river as dusk turned to dark.

The riverfront, aglow, buzzed with people. We stopped to listen to a singer or two, before hopping across a river park on stepping stones that ran from concrete island to concrete island and stopped for a few minutes to marvel at the weirdness of a giant rubber duck foundering in the river’s drying muck.

Somewhere beyond, the ancient sands cooled in the evening breeze. The only thing missing was the singing.

High as the Clouds

October 5, 2015 — Huangshan City, Anhui Province

In Chinese, “Qiyun” means “as high as the clouds”. That’s true of Mount Qiyun, but only because the clouds slip down to meet it.

Rising just 585 meters above sea level, Qiyun strains, rather than thrusts, out of the dripping Anhui countryside. From heaven, clouds twist like the fingers of ghostly gods, stroking some of the mountain’s 36 ragged peaks and gripping others in a moist embrace.

For modern tourists, Qiyun is much overshadowed by its larger, far more physically impressive brother – Huangshan, less than 50 kilometers away – but through the passing of ages, the toppling and rebirth of dynasties, the wars that have riven China, Qiyun has stood as the epicenter of Taoism in southern China.

Perhaps it’s the millennia-old carvings of heroes and gods that glower out of Qiyun’s alcoves and caves that provide the air of mystery that have kept pilgrims climbing Qiyun’s steps since the 8th century. Perhaps it’s the natural scenery of the rocky peaks and the lush, river-split valleys below this one of Taoism’s four sacred mountains.

Or maybe it’s just the clouds, the way they wrap the mountain in their chilly fingers and cup peaks in their moist palms, deadening sound and fogging vision and spiriting visitors away from this world and its history, dynasties, wars, and concerns.

I read about Qiyun the evening before my last day in Anhui, and decided I wasn’t yet done punishing my legs. Getting there wasn’t easy, though. It was back to the early-morning bus station for more waiting and wandering and asking and wondering.

After a while, I learned that the same bus I’d taken to Hongcun the day before runs by the village at the base of Qiyun, but it doesn’t stop there. I’d have to ask the driver to make a special stop on the outskirts of town, then walk a couple of kilometers to the village.

I arrived at the crossroads an hour later, and the bus lurched to a stop. Sure enough, the peak to my left was “as high as the clouds”, and rain spit from the heavens.

Mount Qiyun is wreathed in clouds above a Huizhou village.

Mount Qiyun is wreathed in clouds above a Huizhou village.

As I walked toward the many-arched bridge that led to the mountain base, I stopped by a baozi shop to pick up some steamed buns and a local pancake filled with beans, peppers, and bean noodles, then promptly burned the skin off the roof of my mouth trying to protect them from the sog.

Compared Huangshan, the climb up Qiyun’s stairs was gentle and short, but in the rain and humidity, my pace left me sopping by the time I climbed to the main gate. From there, Qiyun’s paths wound along the cliff sides and up to its peaks. Everywhere, alcoves hid graves, altars, and shrines to Taoist heroes and gods, and hidden speakers whispered the plucked notes of a guzhen. Here and there out of the trees and rocks rose temples dating from the Song, Ming, and Qing dynasties.

Perhaps the spookiest place on the mountain was a huge, sheltered recess which housed a few dozen statues and carvings. I ducked into one cave, lined on both sides with the crumbling visages of ancient priests. The cave plunged into darkness behind a large altar, and I tip-toed in.

The darkness was encompassing, but in the back reaches of the cave, golds and whites glittered in the dark. As I stood, waiting for my eyes to adjust to the black, bats squealed and shuffled just above me. I began to make out figures in the gloom.

Gods, or demons, many armed and many eyed. Some snarled and brandished weapons. Other just sat and stared. Silence, except for the bats.

I battled a sense of unease that tried to force me back into the light, and tried to take it in. When I turned finally retreated out into the haze of murky daylight, an odd sort of relief washed over me, despite the thickening rain.

Out of the alcove, the path climbed to a plateau upon which sits an ancient village, its walls plastered white and its roofs black in the Huizhou style. The village clung to the cliffs, looking out on the river below which hugged the Anhui hills as it cut through more white-and-black hamlets. A giant yinyang was shaved out of the fields at the foot of the mountain, and all around clouds wreathed the trees.

More ancient temples were scattered among the Huizhou homes, many of which made use of their bottom floors to sell food and beer, souvenirs, or joss sticks for burning in offering to the gods. After clambering down one set of rain slicked stairs, I found some dinosaur footprints alongside a decorative archway that was more than 600 years old.

I spent a couple more hours climbing up and down stairs, squeezing between rocks, and stepping through temple halls before the rain began to fall in earnest. I tucked my camera deep in my bag and ran to the top of the highest peak. From the top I saw nothing but the clouds and heard nothing but the drip of the rain.

Spirited away, just as Qiyun promised.

Without an umbrella or a rain jacket, I ran the paths back to the main gate, then down the stairs to the village below. I only fell once.

I arrived at the crossroads where the bus had left me, and I stood in the drizzle waiting for it to return. I tried in vain to flag down a few passing tourist buses, then finally stuck out my thumb. Only a moment went by before a middle-aged woman pulled up and asked if I needed a lift back to Tunxi. I thanked her profusely and asked how much she wanted.

“Just pay whatever you think is fair,” she said.

As we wound along the country roads I dozed off in the front seat and dreamed of clouds.

A Dolphin God in the Waste

August 7 — Jiayuguan City, Gansu Province

We have bowed before The Dolphin and looked upon his heavenly kingdom.

Like Buddhist pilgrims, we twisted through Jiayuguan’s broad, empty avenues with no sure destination, assured in the knowledge that we’d know what we were looking for when we found it.

A sign: Above the tree tops floated a white globe, gleaming in the sun and impossible to interpret.

Like the three magi, we followed the shine in the sky and found our Lord.

In the middle of a leafy park in the middle of one of the world’s driest and furthest-from-the-ocean cities, The Dolphin rose out of a shallow fountain, perched on its tail fins, looming over all.

The only words we could find were: “What the hell?”

The Dolphin God

The Dolphin God

We approached it with trepidation. Beneath its cracked skin of interlocking white metal beams floated a gut-like atrium and an esophageal elevator.

We made an offering of ourselves.

As it turned out, The Dolphin was actually a gussied-up atmospheric monitoring station. Inside it was a small museum about China’s weather patterns and some exhibits on climate change, plus a collection of photos of the rest of China’s weather stations. Pretty normal stuff.

Atop the elevator, things got weird.

The Dolphin’s head is a 360-degree viewing deck, complete with heavy-duty binoculars. From the top, we could see why we’d had an unshakable feeling that something was amiss in Jiayuguan City.

Jiayuguan has a population of just more than 230,000 people, making it tiny by Chinese standards. But with a Dolphin’s-eye view, we saw the city sprawled out in every direction. Even stranger, it looked like the North Korean utopia realized.

Everywhere apartment blocks of disconcerting suburban sameness rose out of the desert, each red roof capped with its own solar-heated water heater. Tens of thousands of apartments, broken up only by huge, centrally located, hour-glass shaped nuclear cooling towers. Golden, decorative streetlights lining sweeping avenues.

Surrounding The Dolphin – again, in the middle of a desert waste – was a leafy and lush park that must have equaled New York City’s Central Park. It was practically drowning in streams, fountains, and lakes and overgrown in greenery.

And all of it was empty. No people in the apartment clones, no cars on the streets, no commerce anywhere. The infrastructure for perhaps millions, and all of it unused. The only thing that seemed to move at all was the steam drifting out of the nuclear plants. A heaven on earth, desolate.

We found the priests locked in ritualistic competition for their deity’s divine favor.

In the square below two groups danced, one next to the other, a narrow lane in between. Those in one group wore blue polo shirts, the other red. They stood in two blocks made of parallel lines of worshipers. In unison, they shuffled their feet and raised their hands and heads to the sky, keeping pace with the rhythmic, modern tunes that blared from speakers set up among them.

Each group whirled to a different tune, and as we watched, the music spilling forth from each amped up decibel by decibel in an attempt to out-loud the other. They pretended not to notice each other, even as they shot furtive glances scanning for any slip in synchronicity that could signal final victory. On and on it went as we slunk along in gap.

A man, not of that bizarre priesthood, approached me and asked where we were from. After a brief exchange in pleasantries, I told him the huge city looked empty.

“Does anyone actually live here?” I asked.

“No,” he said. “But someday they will come.”

Above, the dolphin reigned — still and omnipresent.

Worshipers compete for the favor of their deity.

Worshipers compete for the favor of their deity.